我將自己視為以服裝為載體的藝術家、傳達藝術概念的服裝設計師。我非常喜歡在感興趣的領域做延伸性思考，這使得我各項目作品中充滿連接性。

當我關注到產婦這個群體后，了解了產后后遺癥，在深入了解產婦的心理變化后，發現他們的思維被社會性別中所扮演的社會角色所捆綁，于是我創造出了能夠體驗病癥的服裝，希望用科普的方式讓大家了解這種病癥。并且對這一問題我采取了反向思考——如果未來男性也能具備懷孕的能力，身體結構的變化會對其性別認知產生變化嗎？基于這樣的思考我創作了影像作品《繁衍》。隨后，我在此項目的基礎上延伸探討對性別的普遍固有印象對人類性別認知的界定的影響，以此為靈感創作出一些列服裝設計，尋找社會規范下隱藏的身體屬性。

在我的另一個服裝實驗項目《生命-無邊界》，靈感來自于JaeRhimLee的無限壽衣，我對這個項目非常感興趣，于是我培養了關于蘑菇的雕塑，隨著雕塑的自由生長，我發現了生命與身體之間的新的聯結性。我想將這種狀態和服裝進行聯系，于是我嘗試將蘑菇培養轉移到人臺上，最后，從蘑菇菌絲生長不斷和身體融合這個方向制作了我的服裝項目。

I regard myself as an artist using garment as the carrier also a fashion designer who conveys the concept of art. I like to think in an extended way in the field of my interest, which makes my projects full of connectivity.

When I paid attention to the group of puerperae, I learned about postpartum sequelae. After in-depth understanding of the psychological changes of puerperae, I found that their mental status and notions were bound by their social role based on gender, so I created garments which allow people to experience the ailment, aiming to let people know this disease by means of popular science. I also tried to think about it a reverse direction – What if men have ability to give birth to a child in the future? Will the changes in body structure also change their gender identity? Based on this thinking, I created the video named ‘Reproduction’. Based on this project, I extended the discussion to how the universal inherent impression of gender influences the people’s gender cognition, and I created project inspired by this, looking for the hidden physical attributes under social norms.

The other experiment project "Life without Boundaries" was inspired by JaeRhimLee's project called ‘infinite longevity garment’. I was very interested in this project, so I tried to cultivate mushroom sculptures on mannequins. Observing the growth process of the sculpture, I was inspired to transfer this state to garment. Finally, I created this project imitated the continuous growth of mushroom mycelium and their integration with human body.