視覺傳達對于陳亭羽來說，意義并不復雜。她并不擅長用文字表達自己，相對而言視覺傳達就重要了許多。她希望通過視覺傳達來告訴人們自己心里想說的話。

最后一個作品《Unreachable》。它表達的是現在人們對于疫情期間謠言的信服性。陳亭羽用疫情周報很好的嘲諷了人們輕易相信謠言的現象。她明白作品就像是她的嘴巴或者手，為她敘述了心里的思想。她希望自己的作品可以簡單明了的讓人們明白其中的奧妙。在作品《洞穴中的囚犯》中，非常深刻的大道理，變成了讓人們一眼就能看懂的圖畫書。柏拉圖那些復雜的學說好像也不那么難懂了。

她的作品能讓人們覺得一切事情都是簡單的，或許這就是視覺傳達的意義。大家都能一眼看明白的作品，不晦澀的作品，才是合格的作品。這也是陳亭羽的目標和未來的理想。

Visual communication is not complicated for Chen Tingyu. She is not good at expressing herself in words. Relatively speaking, visual communication is much more important. She wants to tell the masses what she wants to say through visual communication.

In the last work is <Unreachable>, which expresses people's belief in rumors during the epidemic. Chen Tingyu used epidemic weekly newspaper to ridicule the phenomenon that people easily believe the rumor. She also understood that the work was like her mouth or hand are telling her mind. She hopes that her works can be simple and clear to let people understand the mystery. The very profound truth in the novel <Prince in the Cave> has become a picture book that people can understand at a glance, so Plato's complex theories seem to be less difficult to understand. 

As far as her works are concerned, it can make people feel that everything is simple, which may be the meaning of visual communication. The works that everyone can see clearly and not obscure are qualified works.