我喜愛觀察生活并且喜歡將日常生活的瑣碎融入藝術創(chuàng)作，我認為藝術終究應該來源于生活，并且在此基礎上再去進行深入的思考，融入自己的感悟。

我的作品《沙丁魚罐頭》 靈感來源于高峰期擠地鐵的經(jīng)歷。我借用“擁擠得像沙丁魚罐頭”這句常見比喻，用罐頭比喻車廂，用沙丁魚比喻乘客。我對車廂內(nèi)形形色色的乘客進行觀察，用手繪的方式記錄了他們的穿著與樣貌、神情與動作。從而設計了一個個性格迥異的沙丁魚角色。這些沙丁魚被掛在“地鐵的欄桿”上，也能單獨取下來作為胸針佩戴。

當下社會問題是我作品當中的關注點，我觀察到的車廂內(nèi)的一些不平等現(xiàn)象從而產(chǎn)生的思考，我認為在車廂的每一個人都是一條魚，沒有人會因為你的職位高低或者富裕與貧窮去給你特殊的權利。藝術創(chuàng)作對我來說更像是我與生活中隨機發(fā)生的事件還有一些想法產(chǎn)生連接的方式，更多的是體現(xiàn)了我個人情緒的表達。盡管生活每天都在重復，但我還是希望我對我的每一天都充滿新奇感。

I like to observe life and integrate the trivialities of daily life into artistic creation. I believe that art should ultimately come from life, and on this basis, I will conduct in-depth thinking and integrate my own perception.

My work sardine Can was inspired by the rush hour subway. To borrow the common metaphor of being packed like sardines, I use the tin as a metaphor for the carriages and the sardines as a metaphor for the passengers. I observed all kinds of passengers in the carriage, and recorded their clothes, appearance, expressions and movements by hand painting. Thus designed a sardine character with different personalities. The sardines are hung from the 'railings of the subway' and can also be removed and worn individually as a brooch.

Current social issues are the focus of my works. I observed some inequities in the carriage, which led me to think that everyone in the carriage is a fish, and no one will give you special rights because of your position or wealth or poverty. For me, artistic creation is more like a way for me to connect with random events and ideas in my life, and more like an expression of my personal emotions. Although life repeats itself every day, I still wish I had a sense of novelty in my day.